A sister model, the ILME-FX30B, is yours for an extra £400 / €500 and adds high frame rate functionality and can step up to 4K at 120fps and full HD at 240fps. The ILME-FX30 (to give it its full name) supports a variety of video recording codecs and can shoot 4K Super 35 (16:9) by oversampling from 6K at up to 60fps. So, diving straight in, the FX30 features a new back-illuminated 20.1 megapixels APS-C Exmor R Super 35 format CMOS sensor with a dual base ISO (800/2500) to deliver high sensitivity, low noise, and what the company says is 14+ stops of latitude. So you have Dual Base ISO, Log shooting modes, and user-imported LUTs, all for a mere £2,100 / €2,300 all in (which works out at £1749 ex VAT). Sony’s pitch is that this is a camera for future filmmakers and thus offers a lot of the pro features that you would expect from something much higher end. Perhaps what’s unusual about it though is that it is decidedly not expensive.
Sony’s new FX30 is a 4K Super 35 compact cinema camera with big ambitions as confirmed by a Sony statement that it is considered to be the newest addition to the brand's prestigious, not to mention expensive, Cinema Line. Sony has whipped the covers off a new 4K Super 35 compact cinema camera, the FX30, that looks to be trying to muscle firmly in on the territory currently occupied by the BMPCC.
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